Today we will be testing/rehearsing the piece for next week's ICMC network performance. Exciting news is that we will be using Curtis Bahn’s vibrobytes.
We will be joined by two other ensembles in Troy/New York:
Tintinabulate (directed by Pauline Oliveros, Jonas Braasch and Curtis Bahn of Rensselaer Polytechnic Institute):
Curtis Bahn - dilruba
Jonas Braasch - soprano sax
Pauline Oliveros - accordion
Dan Valente - violin
Holland Hobson - ?
Anne Guthrie - horn
Bobby Gibbs - clarinet
Doug van Nort - laptop
In Palo Alto/California by SoundWire (directed by Chris Chafe, director of CCRMA at Stanford University):
Chris Chafe - Celleto
Juan-Pablo Caceres – synthesizer
In Belfast from SARC The Roots Ensemble (directed by Franziska Schroeder):
Franziska Schroeder - saxophone
Pedro Rebelo - piano
Alain Renaud - laptop
Gascia Ouzounian - violin
Next week, we will also be joined by:
Laoise Kelly - Traditional harp
Ivan Goff – Pipes
John Kenny – trombone
The piece we are doing is entitled "Tele-Morphosis". It is an improvisation for three co-located music ensembles and telematic live-electronics. In this work the relationships between co-located musicians and their interactions across different acoustic and virtual spaces are explored.
Showing posts with label CCRMA. Show all posts
Showing posts with label CCRMA. Show all posts
Thursday, August 21, 2008
Friday, April 04, 2008
Concert tonight - CCRMA Stanford

Program: similar to last night at CNMAT in Berkeley, but I am also playing a network piece by Alain Renaud (who will be in the UK at SARC) and Juan-Pablo Cáceres (who will be at CCRMA) entitled "Drony Feeds Back" (yes, I know not the best title in this world!!!).
Pedro (piano and feedback) and I (sax) will be presenting a new feedback improvisation called "Over Hear".
Also, I will be playing an improvisation for solo sax that looks at the possible interruptions of the human body with the instrument and at the a-synchronicities of certain body parts (i.e. tongue and fingers are not synchronized or the breath tries to interfere with the air column of the instrument). I have called this "Étude".
Link to some Flickr Fotos.
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